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Natalie Dessay’s light soprano gives a vivid impression of Lucia’s vulnerable personality. The Mad Scene is enthralling. Piotr Beczala is a gloriously virile Edgardo, and the Italian style of the Russian cast more than acceptable. With Valery Gergiev a surprisingly sensitive conductor, this is a top-rank recording of a marvellous opera.
Whether you've seen Natalie Dessay, or just read the reviews, you will soon see that she is everything we dream of in an opera singer: great (amazing!) singing, outstanding dramatic and humorous acting, and a bundle of energy that just can't be contained. 5 people found this helpful. Helpful. 0 Comment Report abuse. Kindle Customer. 5.0 out of 5 stars Glimpses of an Operatic Treasure. Reviewed.Natalie Dessay is a known quantity as Lucia: sensitive, fragile, using her small but colorful voice and sharp diction to show us poor Lucia’s plight. And indeed, her Mad Scene is marvelous, with the glass harmonica adding just the eerie touch Donizetti had hoped for.For Ms. Dessay, Lucia is something of a signature role, and her excellent acting ability makes her a good fit for it. Lucia's histrionic character, her desperation and her ultimate madness are all brought out here, and with a superb voice, too. Dessay has a gift for capturing the fragility of her character, even in Lucia's more confident moments (as in “Ardon gli incensi”, in which she.
La Sonnambula is a work that has not entered the consciousness of the general opera-going public in the manner of its contemporaries like Lucia di Lammermoor, Il Barbiere di Siviglia and Norma, Bellini’s most famous work. The Met had not performed the piece since 1972, and, frankly, few were clamoring for it. The story concerns Amina (Dessay), a Swiss village girl, engaged to fellow villager.
Natalie Dessay's light soprano gives a vivid impression of Lucia's vulnerable personality. The Mad Scene is enthralling. Piotr Beczala is a gloriously virile Edgardo, and the Italian style of the Russian cast more than acceptable. With Valery Gergiev a surprisingly sensitive conductor, this is a top-rank recording of a marvellous opera'.
Dessay considered withdrawing from “La Sonnambula” after the experience of “Lucia.” “I was this close,” she told me in Vienna, holding her finger and thumb an inch apart. “But then I.
Lucia di Lammermoor is a tragic opera by Gaetano Donizetti, loosely based upon Walter Scott's novel The Bride of Lammermoor, and with a libretto by Salvadore Cammarano. The opera is essentially Romeo and Juliet in Scotland. It follows Lucia Ashton and Edgardo di Ravenswood, two Star-Crossed Lovers from opposing houses who are having a secret affair. Then one day, Lucia's brother, Enrico.
NCM Fathom brings the fifth season of the Metropolitan Opera's Peabody and Emmy Award-winning series The Met: Live in HD in movie theaters nationwide. The broadcast of Donizetti's opera Lucia di.
The biggest item on the CD is the Mad Scene from Lucia di Lammermoor, performed with the ghostly glass harmonica accompaniment. Dessay's histrionic abilities are arresting at times here, even if the coloratura and pitching are again flawed in various places. For me, the problem is simply that her voice isn't big enough and therefore doesn't facilitate the range of expression needed for this.
Audience Reviews for Sex and Lucia. Nov 25, 2011. An entirely bewildering piece of cinematic art. Medem explores the underestimated block of the writer's mind and lets us aboard a high-speed.
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Since Lucia’s confidante Alisa also disappears, and the part of the treacherous Normanno is fleshed out into the positively Machiavellian Gilbert, there are several other relatively minor rewrites. Details of the plot are slightly clearer than in the original. The names of the characters are, of course, different. Natalie Dessay sings Lucie, with a limited range of colour but appreciable.
Lucia di Lammermoor - Dramma tragico in three acts (1835) (85.07) Lord Enrico Ashton - Mariusz Kwiecien (baritone). Opera live High Definition recording there has to be an introduction: this time by Natalie Dessay, a former Lucia of this production, walking over the opening stage telling us what we are going to see - with some later shots of principals leaving the stage. Fortunately the.
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